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History

Miner Street Recordings is owned by Brian McTear and Amy Morrissey.

The studio was originally created by McTear, a producer, musician (and later, a nonprofit entrepreneur) alongside his Mariner 9 bandmate Jason Knight in 1994 before Knight ultimately moved on to live and work on the West Coast. McTear was then joined by Morrissey, a musician, sculptor and painter in 2003 and since then the two have built Miner Street into the incredibly unique, sunshiney and inspiring space it is today. Miner Street has hosted recordings by countless artists in its time, including The War on Drugs, Kurt Vile, Zach Bryan, Sharon Van Etten, Waxahatchee, Espers, Meg Baird, Marissa Nadler, Dr. Dog, Danielson, The Dead Milkmen, Lotus, Palm, Roth Bart Baron, Matt Pond PA, Mazarin, Eltro, Leftys Deceiver, and hundreds of others.

30 years later, the original Miner Street Recordings at 112 E. Miner Street in West Chester PA looks pretty much the same as it did way back in 1994. 

Miner Street / West Chester

April 1994 - August 1996

In 1994, McTear and his then bandmate, Jason Knight, pulled together their modest collection of recording equipment to record their band Mariner Nine in the house they lived in at 112 E. Miner Street during their final years at West Chester University. They originally only set out to record their own music, but soon after christening the studio name, they were also recording other West Chester bands like The Lucys, Alkali Flats and The Diane Linkletter Experience, as well as a small collection of brave Philadelphia bands who would make the trip, like Sara Weaver’s band The Weave, and Laris Kreslins’ band Piston Honda. Our neighbors (whose names we never knew, sadly) deserve an extra-special heartfelt thank you for putting up with our noise. We were kids, but we should have known better…

Google Street view of Miner Street / Manayunk I. It was the tiny office section of this giant scary warehouse, though cleaned-up considerably in the above image. 

Miner Street / Manayunk I (1996 - 1998)

September 1996 - December 1999

In September 1996, McTear and Knight moved their band and studio to 228 Krams Ave in the Manayunk section of Philadelphia. To introduce themselves to the community, their first recording was Happy Holidays from Miner Street, a compilation tape featuring bands like Eltro, Lettuce Prey, The King James Version, Lenola, Mariner Nine, Splendorbin and others. Here, Mariner Nine also recorded an experimental full length CD, A Little Something from the Weathervane’s Perspective along with a large collection of other unreleased songs. Jason would work on projects like The Long Drive with Tyler Harold, Reizoko with Nyles Lannon, and the late Jason DiEmelio’s internationally lauded project Azusa Plane. (Knight played guitar in it alongside Quentin Stoltzfus, later of Mazarin and Light Heat). At the first Manayunk location McTear also recorded more music for Sara Weaver, now as Swisher, as well as the first of several albums with a pivotal band in his development as a producer, Eltro.

Google Street view in 2012, 7 years after we left. It's only slightly more weathered than when we were there. Work vans and speedboats removed.

Miner Street / Manayunk II (aka “Miner Street / Cycle Sound”)

January 1999 - August 2005

At a time in which the entertainment industry underwent dramatic changes and most studios did not survive, Miner Street Recordings actually thrived.  In January 1999, Mariner Nine went on indefinite hiatus when Jason Knight and bass player Dave Boyd separately moved to San Francisco. McTear continued forward with Miner Street though, taking the operation across the street to 227 B Krams Ave, in a 7000 square foot space operated by sound engineer and live music production manager, Gary Ferenchak. He called it Cycle Sound Studios. The "merger" gave McTear the opportunity to work with Cycle Sound's much larger space and coveted vintage MCI recording console, originally from Sigma Sound Studios NY, which is still at Miner Street to this day. In 2003, Amy Morrissey joined McTear, and at Miner Street Cycle Sound they’d record more Eltro records, Matt Pond PA, Mazarin, Leftys Deceiver, The Trouble with Sweeney, The Capital Years, Espers and The Bigger Lovers, as well as records with non-local artists The Natural History, Marissa Nadler, and The Washington Social Club. Amy and Brian also hosted and assisted on several projects for producer Thom Monahan, including recordings by The Natural History, Kevin Tiesta, Brady Brock, and Augie March. This room had an unmistakable sound, likely due to it’s concrete block interior and it’s 17 foot corrugated steel roof.

Brian and Adam Granduciel mixing “Comin’ Through” an early War on Drugs song on the Future Weather EP. Simpler times and a simpler Fishtown skyline. Video courtesy of Dave Hartly.

Miner Street / Fishtown

September 2005 - present

In September 2005, Brian and Amy would relocate Miner Street to 2187 E Norris St, in the Fishtown neighborhood, blocks from their home since 2001. Years before the revitalization of Fishtown, Miner Street was one of the first creative enterprises to explore the neighborhood's potential. Today we find ourselves located right alongside some of the best live music venues, restaurants, art galleries and more.

At Miner Street Fishtown, McTear and Morrissey recorded early music by Espers, Meg Baird, Sharon Van Etten, and Kurt Vile. They would record two LPs by The Dead Milkmen and many other projects. McTear would mix early singles Arms like Boulders and Baby Missiles by The War on Drugs here. They brought on Jonathan Low as the studio’s first intern who would work at Miner Street for 10 years, both as McTear’s assistant, as well as on his own. McTear and Low would mix Joan Osborne’s Grammy Nominated album Bring it on Home, and early productions by Aaron Dessner for Sharon Van Etten and Local Natives. (Aaron would equip his Brooklyn studio with many of the same pieces of gear, which was truly flattering).

Jon would work on other Dessner projects like Day of the Dead (an extensive Grateful Dead covers record featuring The National, Grizzly Bear, The War on Drugs, and many other successful indie artists of the day). He would engineer recordings for Kurt Vile (with producer John Agnello) andThe War on Drugs, as well as records with The Menzingers, We Were Promised Jetpacks, This is the Kit, and lots of others. (Today Jon records some of the most successful Grammy award winning records by artists like The National, Ed Sheeran and Taylor Swift. Brian contends he and Amy taught Jon everything he knows. Jon puts up with that assertion graciously).

Other long-time Miner Street house engineers include Matt Schimelfenig (Cayetana, Gladie, The War on Drugs, Kurt Vile, Lotus) and Matt Poirier (Lotus, So Percussion, Palm) - both of whom will forever be considered star figures in the Miner Street family.

In July 2022 Miner Street also hosted a chart-topping EP recording for rising country artist, Zach Bryan.

Miner Street and Weathervane Music

Miner Street Recordings has long supported the music community that gives it life. For some Miner Street is best-recognized as the studio setting for the non-profit Weathervane Music's Shaking Through and Open Sessions documentary recording series. McTear co-founded the 501(c)(3) Weathervane Music at the beginning of The Great Recession in early 2009. Weathervane's work has brought incredibly talented and enthusiastic artists to Miner Street Recordings,  including members of The War on Drugs, Dr. Dog, Grizzly Bear, Wilco, Sufjan Stevens, Sharon Van Etten, Strand of Oaks, Waxahatchee, and many others.  Since 2023 the tradition continues with Open Sessions, bringing more great artists with great stories and music to Miner Street.